http://openmuseum.berkeley.edu/media/ en-US Thu, 13 Dec 2007 00:58:36 PDT Thu, 13 Dec 2007 00:58:36 PDT http://openmuseum.berkeley.edu/media/files/ephemeralflame/44 Thu, 13 Dec 2007 00:58:36 PDT Max Ebert My favorite part about 24h00 is looking into the lives of other people. In my project, I take the same format as Grancher (force people to document themselves once an hour for 24 hours) but take away the restrictions. I let people express themselves creatively any way they wanted. The finished product is an intimate look into the minds's of others: random thoughts, intimate concerns, creative ideas, daily habits, and much more in their rawest forms! Note: Version 1! I'm planning on adding more people. My favorite part about 24h00 is looking into the lives of other people. In my project, I take the same format as Grancher (force people to document themselves once an hour for 24 hours) but take away the restrictions. I let people express themselves creatively any way they wanted. The finished product is an intimate look into the minds's of others: random thoughts, intimate concerns, creative ideas, daily habits, and much more in their rawest forms! Note: Version 1! I'm planning on adding more people. mediaremixnon_commercial_share_alikevideomov32kstereo114kbpsripmixburn24h00ripmixburn_remixpeopleemotionscollaborationremixburn http://openmuseum.berkeley.edu/media/files/ephemeralflame/44 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/jennbai/43 Wed, 12 Dec 2007 22:29:50 PDT jennbai mediaremixnon_commercial_share_alikeimagegif24h00ripmixburnseriespeople http://openmuseum.berkeley.edu/media/files/jennbai/43 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/alan753/42 Wed, 12 Dec 2007 21:49:19 PDT alan753 In response to Valry Granchers 24h00, the documentation through out the 24 hour period has inspired me to create an art piece that is based on time. Although the art work was presented in obvious fragments, the finished art work is read as a single piece of art that allows the reader to understand the summation of the artists hourly activity. By highlighting this fragmented, compiled piece as a singular object, time frames become a crucial element in the composition of the art work. The 4th Dimension piece I created is based on how the suns trajectory through out various time and seasonal intervals can create and manipulate a form in space.Using a 3d modeling program, a simple rectangular plate is placed in the scene. After mapping the suns trajectory based on the winter-summer solstice, and spring autumn equinox, a sunlight is then created in the scene. The shadows casted were then documented by allowing the shadows to penetrate through a generic sphere of volume, then were extracted for further development. To simplify this 3 dimensional analysis, the suns trajectory and shadows were then broken up into 3-different views: plans, sections, and elevations.After the shadows were extracted, the volumes of shadows were then composed into one unified location. The extraction of these volumes is not the core of the art work, but rather, at their intersections highlighted in red. This form generated by the intersection of the shadows is ultimately a form, or object that is entirely generated by the natural system of sunlight. Although the objects used in the scene to create this analysis are fairly simple, the complexity of this generated form is quite fascinating. Since this form was created by the specified time intervals, this form can be an ever changing product since the suns direction changes every second of the day. Like wise, if the initial object was not a simple rectangular plate, the shape of the shadows will then change accordingly even if the same time intervals were documented. Furthermore, it would interesting to set this program on a website where users can manipulate this generated from put proposing different time intervals. This analysis can then be taken in the same manner as this remixing assignment, that the users can remix the product by changing the position of the sun.In light of the24h00 piece, the 4th Dimension is a remix of its concept on time. By documenting the shadows projection, the form generated is ultimately a generated product by this compilation process, as seen in reading the 24h00 as a summation of ones activity throughout the day. Using the 4th Dimension as an example, the documentation of the authors activity on the next day maybe different from what was original documented, or that if the activities were documented with a video camera instead of a digital camera can also change the ending result. Moreover, this process directly reflects on an art piece introduced by professor Rinehart that the work has changed its form through out time in his lecture on copy right issue. In conclusion, an art work may be created as a static object, but the art behind the piece is rather generated and conditioned by the concept of time. In response to Valéry Grancher’s “24h00”, the documentation through out the 24 hour period has inspired me to create an art piece that is based on time. Although the art work was presented in obvious fragments, the finished art work is read as a single piece of art that allows the reader to understand the summation of the artist’s hourly activity. By highlighting this fragmented, compiled piece as a singular object, time frames become a crucial element in the composition of the art work. The 4th Dimension piece I created is based on how the sun’s trajectory through out various time and seasonal intervals can create and manipulate a form in space.
Using a 3d modeling program, a simple rectangular plate is placed in the scene. After mapping the sun’s trajectory based on the winter-summer solstice, and spring – autumn equinox, a sunlight is then created in the scene. The shadows casted were then documented by allowing the shadows to penetrate through a generic sphere of volume, then were extracted for further development. To simplify this 3 dimensional analysis, the sun’s trajectory and shadows were then broken up into 3-different views: plans, sections, and elevations.
After the shadows were extracted, the volumes of shadows were then composed into one unified location. The extraction of these volumes is not the core of the art work, but rather, at their intersections highlighted in red.
This form generated by the intersection of the shadows is ultimately a form, or object that is entirely generated by the natural system of sunlight. Although the objects used in the scene to create this analysis are fairly simple, the complexity of this generated form is quite fascinating. Since this form was created by the specified time intervals, this form can be an ever changing product since the sun’s direction changes every second of the day. Like wise, if the initial object was not a simple rectangular plate, the shape of the shadows will then change accordingly even if the same time intervals were documented. Furthermore, it would interesting to set this program on a website where users can manipulate this generated from put proposing different time intervals. This analysis can then be taken in the same manner as this remixing assignment, that the users can remix the product by changing the position of the sun.
In light of the”24h00” piece, the 4th Dimension is a remix of its concept on time. By documenting the shadows’ projection, the form generated is ultimately a generated product by this compilation process, as seen in reading the “24h00” as a summation of one’s activity throughout the day. Using the 4th Dimension as an example, the documentation of the author’s activity on the next day maybe different from what was original documented, or that if the activities were documented with a video camera instead of a digital camera can also change the ending result. Moreover, this process directly reflects on an art piece introduced by professor Rinehart that the work has changed its form through out time in his lecture on copy right issue. In conclusion, an art work may be created as a static object, but the art behind the piece is rather generated and conditioned by the concept of time. mediaremixnon_commercial_share_alikedocumentpdf24h00 http://openmuseum.berkeley.edu/media/files/alan753/42 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/philxaviermckennan/41 Wed, 12 Dec 2007 19:43:20 PDT philxaviermckennan Everyday we go on the internet and check the same websites. The websites change each time we go to them, kind of like a flower. I took a picture of a flower at the same time of day for four straight days with the idea of 24h00 Everyday we go on the internet and check the same websites. The websites change each time we go to them, kind of like a flower. I took a picture of a flower at the same time of day for four straight days with the idea of 24h00 mediaremixnon_commercial_share_alikedocumentpdf24h00 http://openmuseum.berkeley.edu/media/files/philxaviermckennan/41 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/daniel_rogerspleasework/40 Wed, 12 Dec 2007 14:44:48 PDT daniel_rogerspleasework This piece is meant to evoke the imagery associated with 24h00. It is a montage of unidentifiable and random moments and people meant to expose the impersonal nature of life and the movement of humans through it. This piece is meant to evoke the imagery associated with 24h00. It is a montage of unidentifiable and random moments and people meant to expose the impersonal nature of life and the movement of humans through it. mediaremixnon_commercial_share_alikevideoavi22kmonoCBRpeople24h00seriesmusic http://openmuseum.berkeley.edu/media/files/daniel_rogerspleasework/40 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/elisacolombani/39 Wed, 12 Dec 2007 00:42:08 PDT elisacolombani Instead of ecological or political terms referring to nature, this art accepts the notion which "In Popular Terms" presents-- the importance of the language we use to talk about nature or the environment. However, this piece presents terms, music, and images which attempt to capture water (a particularly important part of the ecology) through an aesthetic lens, rather than a social or political one. However, it also self-consciously highlights the gap between the intrinsic beauty of water (or nature in general), and the incapability of humans to fully or wholly capture it. Instead of ecological or political terms referring to nature, this art accepts the notion which "In Popular Terms" presents— the importance of the language we use to talk about nature or the environment. However, this piece presents terms, music, and images which attempt to capture water (a particularly important part of the ecology) through an aesthetic lens, rather than a social or political one. However, it also self-consciously highlights the gap between the intrinsic beauty of water (or nature in general), and the incapability of humans to fully or wholly capture it. mediaremixnon_commercial_share_alikevideowmv44kmonoCBRwaterecological_termspoetic_termsnatureoriginal_music http://openmuseum.berkeley.edu/media/files/elisacolombani/39 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/delvos/38 Tue, 11 Dec 2007 20:03:24 PDT Dannie Dee == images and words create a new reality in this artificial environment == == images and words create a new reality in this artificial environment == mediaremixnon_commercial_share_alikevideomov48kstereo1823kbps http://openmuseum.berkeley.edu/media/files/delvos/38 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/heyimgandhi/37 Tue, 11 Dec 2007 20:01:47 PDT heyimgandhi I was intrigued by Grancher's insights about the never-sleeping internet so I wanted to branch a bit more and include the internet's anonymity in a piece of digital art. Regardless of the sun's position, people are endlessly posting their pictures onlinebearing faces that people in faraway countries have never seen before and probably don't care about. However, separated from others through the protective veil of a computer screen, these people are able to choose how to present their picturesmaybe truthfully, masked by the anonymity of the internet, in a way they want others to view them, etc. I integrated photographs I took of myself with my webcam over the last semester with the photos from 24h00 because I wanted to emphasize the point that anyone can be anyone online. Nobody owns the pictures on the internet: they are owned by everybody with a simple copy-paste. I was intrigued by Grancher's insights about the never-sleeping internet so I wanted to branch a bit more and include the internet's anonymity in a piece of digital art. Regardless of the sun's position, people are endlessly posting their pictures online—bearing faces that people in faraway countries have never seen before and probably don't care about. However, separated from others through the protective veil of a computer screen, these people are able to choose how to present their pictures—maybe truthfully, masked by the anonymity of the internet, in a way they want others to view them, etc. I integrated photographs I took of myself with my webcam over the last semester with the photos from 24h00 because I wanted to emphasize the point that anyone can be anyone online. Nobody owns the pictures on the internet: they are owned by everybody with a simple copy-paste. mediaremixnon_commercial_share_alikevideomov44kstereo4742kbps http://openmuseum.berkeley.edu/media/files/heyimgandhi/37 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/wayneb/36 Tue, 11 Dec 2007 17:07:15 PDT Wayne Beuhring II One picture per hour for 24 hours of each students life. This piece contains three individual student days with a total of 72 clips that are randomly remixed with "Hallelujah" as the soundtrack. CAL life at it's best! One picture per hour for 24 hours of each students life. This piece contains three individual student days with a total of 72 clips that are randomly remixed with "Hallelujah" as the soundtrack.

CAL life at it's best! mediaremixnon_commercial_share_alikevideomov32kstereo152kbps72_hour_remix http://openmuseum.berkeley.edu/media/files/wayneb/36 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/ceciliamcontreras/35 Tue, 11 Dec 2007 13:16:41 PDT ceciliamcontreras remixed movie version of Michael Joaquin Grey's work in BAM show remixed movie version of Michael Joaquin Grey's work in BAM show mediaremixnon_commercial_share_alikevideomov48kstereo3kbpsripmixburnripmixburn_remix http://openmuseum.berkeley.edu/media/files/ceciliamcontreras/35 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/34 Tue, 11 Dec 2007 12:54:40 PDT aimeesun extracted images presented through a virtual slideshow on slide.com extracted images presented through a virtual slideshow on slide.com mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00slidecom http://openmuseum.berkeley.edu/media/files/aimeesun/34 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/33 Tue, 11 Dec 2007 12:33:20 PDT aimeesun extracted images from 24h00 become remix mcgee on facebook extracted images from 24h00 become remix mcgee on facebook mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00facebook http://openmuseum.berkeley.edu/media/files/aimeesun/33 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/32 Tue, 11 Dec 2007 12:07:50 PDT aimeesun remix of grancher's work and my own artwork, presented on youtube. remix of grancher's work and my own artwork, presented on youtube. mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00youtube http://openmuseum.berkeley.edu/media/files/aimeesun/32 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/mikevachss/31 Tue, 11 Dec 2007 01:22:24 PDT mikevachss I took Valry Grancher's idea and changed it to 24 minutes as I went out for a night of partying. I took 24 pictures in 24 minutes and tried to capture emotion on the faces of my subjects. I then used 24 different songs to capture the 24 different emotions in each picture. This way I could express what I felt each subject was feeling in every picture and show it the rest of the world. I took Valéry Grancher's idea and changed it to 24 minutes as I went out for a night of partying. I took 24 pictures in 24 minutes and tried to capture emotion on the faces of my subjects. I then used 24 different songs to capture the 24 different emotions in each picture. This way I could express what I felt each subject was feeling in every picture and show it the rest of the world. mediaremixnon_commercial_share_alikevideowmv44kstereoCBR24m0024h0024minutesremixburndrinkingmusicemotionscollaborationmichaelripmixburn_remix http://openmuseum.berkeley.edu/media/files/mikevachss/31 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/Kaila_Niles/30 Tue, 11 Dec 2007 00:06:33 PDT Kaila_Niles mediaremixnon_commercial_share_alikevideomov32kstereo215kbps http://openmuseum.berkeley.edu/media/files/Kaila_Niles/30 http://creativecommons.org/licenses/by-nc-sa/3.0/