http://openmuseum.berkeley.edu/media/ en-US Thu, 13 Dec 2007 00:58:36 PST Thu, 13 Dec 2007 00:58:36 PST http://openmuseum.berkeley.edu/media/files/ephemeralflame/44 Thu, 13 Dec 2007 00:58:36 PST Max Ebert My favorite part about 24h00 is looking into the lives of other people. In my project, I take the same format as Grancher (force people to document themselves once an hour for 24 hours) but take away the restrictions. I let people express themselves creatively any way they wanted. The finished product is an intimate look into the minds's of others: random thoughts, intimate concerns, creative ideas, daily habits, and much more in their rawest forms! Note: Version 1! I'm planning on adding more people. My favorite part about 24h00 is looking into the lives of other people. In my project, I take the same format as Grancher (force people to document themselves once an hour for 24 hours) but take away the restrictions. I let people express themselves creatively any way they wanted. The finished product is an intimate look into the minds's of others: random thoughts, intimate concerns, creative ideas, daily habits, and much more in their rawest forms! Note: Version 1! I'm planning on adding more people. mediaremixnon_commercial_share_alikevideomov32kstereo114kbpsripmixburn24h00ripmixburn_remixpeopleemotionscollaborationremixburn http://openmuseum.berkeley.edu/media/files/ephemeralflame/44 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/daniel_rogerspleasework/40 Wed, 12 Dec 2007 14:44:48 PST daniel_rogerspleasework This piece is meant to evoke the imagery associated with 24h00. It is a montage of unidentifiable and random moments and people meant to expose the impersonal nature of life and the movement of humans through it. This piece is meant to evoke the imagery associated with 24h00. It is a montage of unidentifiable and random moments and people meant to expose the impersonal nature of life and the movement of humans through it. mediaremixnon_commercial_share_alikevideoavi22kmonoCBRpeople24h00seriesmusic http://openmuseum.berkeley.edu/media/files/daniel_rogerspleasework/40 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/elisacolombani/39 Wed, 12 Dec 2007 00:42:08 PST elisacolombani Instead of ecological or political terms referring to nature, this art accepts the notion which "In Popular Terms" presents-- the importance of the language we use to talk about nature or the environment. However, this piece presents terms, music, and images which attempt to capture water (a particularly important part of the ecology) through an aesthetic lens, rather than a social or political one. However, it also self-consciously highlights the gap between the intrinsic beauty of water (or nature in general), and the incapability of humans to fully or wholly capture it. Instead of ecological or political terms referring to nature, this art accepts the notion which "In Popular Terms" presents— the importance of the language we use to talk about nature or the environment. However, this piece presents terms, music, and images which attempt to capture water (a particularly important part of the ecology) through an aesthetic lens, rather than a social or political one. However, it also self-consciously highlights the gap between the intrinsic beauty of water (or nature in general), and the incapability of humans to fully or wholly capture it. mediaremixnon_commercial_share_alikevideowmv44kmonoCBRwaterecological_termspoetic_termsnatureoriginal_music http://openmuseum.berkeley.edu/media/files/elisacolombani/39 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/delvos/38 Tue, 11 Dec 2007 20:03:24 PST Dannie Dee == images and words create a new reality in this artificial environment == == images and words create a new reality in this artificial environment == mediaremixnon_commercial_share_alikevideomov48kstereo1823kbps http://openmuseum.berkeley.edu/media/files/delvos/38 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/heyimgandhi/37 Tue, 11 Dec 2007 20:01:47 PST heyimgandhi I was intrigued by Grancher's insights about the never-sleeping internet so I wanted to branch a bit more and include the internet's anonymity in a piece of digital art. Regardless of the sun's position, people are endlessly posting their pictures onlinebearing faces that people in faraway countries have never seen before and probably don't care about. However, separated from others through the protective veil of a computer screen, these people are able to choose how to present their picturesmaybe truthfully, masked by the anonymity of the internet, in a way they want others to view them, etc. I integrated photographs I took of myself with my webcam over the last semester with the photos from 24h00 because I wanted to emphasize the point that anyone can be anyone online. Nobody owns the pictures on the internet: they are owned by everybody with a simple copy-paste. I was intrigued by Grancher's insights about the never-sleeping internet so I wanted to branch a bit more and include the internet's anonymity in a piece of digital art. Regardless of the sun's position, people are endlessly posting their pictures online—bearing faces that people in faraway countries have never seen before and probably don't care about. However, separated from others through the protective veil of a computer screen, these people are able to choose how to present their pictures—maybe truthfully, masked by the anonymity of the internet, in a way they want others to view them, etc. I integrated photographs I took of myself with my webcam over the last semester with the photos from 24h00 because I wanted to emphasize the point that anyone can be anyone online. Nobody owns the pictures on the internet: they are owned by everybody with a simple copy-paste. mediaremixnon_commercial_share_alikevideomov44kstereo4742kbps http://openmuseum.berkeley.edu/media/files/heyimgandhi/37 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/wayneb/36 Tue, 11 Dec 2007 17:07:15 PST Wayne Beuhring II One picture per hour for 24 hours of each students life. This piece contains three individual student days with a total of 72 clips that are randomly remixed with "Hallelujah" as the soundtrack. CAL life at it's best! One picture per hour for 24 hours of each students life. This piece contains three individual student days with a total of 72 clips that are randomly remixed with "Hallelujah" as the soundtrack.

CAL life at it's best! mediaremixnon_commercial_share_alikevideomov32kstereo152kbps72_hour_remix http://openmuseum.berkeley.edu/media/files/wayneb/36 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/ceciliamcontreras/35 Tue, 11 Dec 2007 13:16:41 PST ceciliamcontreras remixed movie version of Michael Joaquin Grey's work in BAM show remixed movie version of Michael Joaquin Grey's work in BAM show mediaremixnon_commercial_share_alikevideomov48kstereo3kbpsripmixburnripmixburn_remix http://openmuseum.berkeley.edu/media/files/ceciliamcontreras/35 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/34 Tue, 11 Dec 2007 12:54:40 PST aimeesun extracted images presented through a virtual slideshow on slide.com extracted images presented through a virtual slideshow on slide.com mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00slidecom http://openmuseum.berkeley.edu/media/files/aimeesun/34 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/33 Tue, 11 Dec 2007 12:33:20 PST aimeesun extracted images from 24h00 become remix mcgee on facebook extracted images from 24h00 become remix mcgee on facebook mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00facebook http://openmuseum.berkeley.edu/media/files/aimeesun/33 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/aimeesun/32 Tue, 11 Dec 2007 12:07:50 PST aimeesun remix of grancher's work and my own artwork, presented on youtube. remix of grancher's work and my own artwork, presented on youtube. mediaremixnon_commercial_share_alikevideoavi44kmonoCBRripmixburn24h00youtube http://openmuseum.berkeley.edu/media/files/aimeesun/32 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/mikevachss/31 Tue, 11 Dec 2007 01:22:24 PST mikevachss I took Valry Grancher's idea and changed it to 24 minutes as I went out for a night of partying. I took 24 pictures in 24 minutes and tried to capture emotion on the faces of my subjects. I then used 24 different songs to capture the 24 different emotions in each picture. This way I could express what I felt each subject was feeling in every picture and show it the rest of the world. I took Valéry Grancher's idea and changed it to 24 minutes as I went out for a night of partying. I took 24 pictures in 24 minutes and tried to capture emotion on the faces of my subjects. I then used 24 different songs to capture the 24 different emotions in each picture. This way I could express what I felt each subject was feeling in every picture and show it the rest of the world. mediaremixnon_commercial_share_alikevideowmv44kstereoCBR24m0024h0024minutesremixburndrinkingmusicemotionscollaborationmichaelripmixburn_remix http://openmuseum.berkeley.edu/media/files/mikevachss/31 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/Kaila_Niles/30 Tue, 11 Dec 2007 00:06:33 PST Kaila_Niles mediaremixnon_commercial_share_alikevideomov32kstereo215kbps http://openmuseum.berkeley.edu/media/files/Kaila_Niles/30 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/lovely/28 Sun, 09 Dec 2007 18:21:12 PST lovely Our film Right Now? starts in real time and proceeds to play with the truth of both film and photographs. We are being filmed talking pictures of ourselves with our camera phones, these pictures are manipulated out of the real time in which they were taken and are eventually shown to not have been taken by us at all as the final snapshot is revealed as a video. We hope that our installation will create and maintain a dialogue concerning film and photography as layers of mediation between ourselves and the external world. Our film “Right Now?” starts in real time and proceeds to play with the truth of both film and photographs. We are being filmed talking pictures of ourselves with our camera phones, these “pictures” are manipulated out of the “real time” in which they were taken and are eventually shown to not have been taken by us at all as the final snapshot is revealed as a video. We hope that our installation will create and maintain a dialogue concerning film and photography as layers of mediation between ourselves and the external world. mediaremixnon_commercial_share_alikevideomov48kstereo4597kbpsright_now http://openmuseum.berkeley.edu/media/files/lovely/28 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/evelynpotter/27 Fri, 07 Dec 2007 23:31:28 PST evelynpotter A film version of In Popular Terms using my own stills. A film version of In Popular Terms using my own stills. mediaremixnon_commercial_share_alikevideowmv44kstereoCBR http://openmuseum.berkeley.edu/media/files/evelynpotter/27 http://creativecommons.org/licenses/by-nc-sa/3.0/ http://openmuseum.berkeley.edu/media/files/mikymoto/26 Thu, 06 Dec 2007 16:32:22 PST mikymoto A careful use of ultra scanning techniques have allowed me to discover the insights to this supernatural ouijatronic voting machine. A careful use of ultra scanning techniques have allowed me to discover the insights to this supernatural ouijatronic voting machine. mediaremixnon_commercial_share_alikevideowmv48kstereoVBRkeatsouijahillaryclintonpopular_termspeacewar http://openmuseum.berkeley.edu/media/files/mikymoto/26 http://creativecommons.org/licenses/by-nc-sa/3.0/